![]() ![]() Wide-framed yellow-tinted glasses were added to complete the look. “Each wig had three different components to them: a large base, then fill-ins to match the Joe Pa look,” says Almeida. One was lighter with more gray to reflect the treatments. To reflect the cancer treatments Paterno went through soon after he stepped down in the wake of the Sandusky scandal, Almeida commissioned effects artist Justin Stafford to create two wigs from real hair. Finer details details like a scar around Paterno’s lower left lip were added to increase authenticity. Texture created the weathered look of a coach who spent more than 45 years under the sun. The artisan was careful to use makeup to give an impression of the character, and never to cover Pacino completely, he says. He ended up sculpting six separate noses to find the right aesthetic. I don’t know if it’s part of his process in finding the character, but we’ve done it on almost every film short of ‘Donnie Brasco,’” Caglione says. “With Al, he likes to try on different noses. For “Paterno,” he studied the coach’s look and included a process that made the actor feel comfortable. and hairstylist Trish Almeida, first-time collaborators, to transform iconic actor Al Pacino into the bespectacled mentor whose legacy was called into question by events that rocked the region and shocked the nation.Ĭaglione has been working with Pacino since the 1990 film “Dick Tracy,” for which he won the Oscar for makeup. It was the job of makeup artist John Caglione Jr. In HBO’s “Paterno,” director Barry Levinson tells the story of the Penn State pedophile scandal - in which assistant coach Jerry Sandusky was charged with a pattern of child molestation that stretched over 15 years - and its effect on Joe Paterno, the winningest head football coach in NCAA history. ![]()
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